ACCOUNT OF MY DAYS

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6 7 8 9 10
11 12 13 14 15
16 17 18 19 20

  keyword(s) in poems:

Sequence: 13

HAVING FOLLOWED MY HEART TILL ITS
give me...


EXPLANATION
gravity's open mouth...


THE RAIN
if it was going to happen...


TWO MEN
the man bending over sweeping dust...


10/1/04
a silence has come into the cornfields...


CERTAINTY
what lies beneath gravity...


untitled
it takes courage...


ITS USE
I turn and pick up...


WHEN WE LIVE
the world drops...


HANDS
I look in my hands...


10/26/04
while the fields are browning...


AFTER THE GREEN HAS GONE
rain through the trees...


HARVESTS AND STONE
surrounded by harvests...


FROM MY DIARY
early long lines...


FIRST WEEK OF NOVEMBER
the sky crowded with gray...


POEM WITH QUESTION MARKS
turn around at the warning sign?...


IN THE GREAT BEWILDERMENT
just as in a set of words...


11/14/04
moth so small it nearly escapes notice...


CODA
moth so small it nearly escapes notice...


STARTLED
I hadn't gone three steps before the mocking began. The bell...


LOOKING BACK
we die of everything...


TOWARDS SOLSTICE
this long night no dark...


POINTS IN THE VAST
in this dark you see...


TO DEAD PLANETS
this cold house...


MY SNOW JOURNEY
just keep walking...


LATE WINTER
my stiff legs on these winter stairs...


THEFT OF A LINE FROM STEVENS
looking up at the cloud covered sky...


HOMELAND
our inland waters slide...


SECURITY
on the way to...


2/18/05
seen from the shadow side...


CERTAIN ONES HAVE SHOWN
their heads through the dirt...


SOME EVENTS
some flakes on the way down stopped by...


untitled
what...


COLD BLUE
of the jay's back...


SIGHT
between one minute before...


untitled
that look he had...


DOWNSLOPE
the years grown...


EQUIVALENCE
in a mirror...


LOOKED UP
the dark wing...


CROWS
the call wordless...


3/29/05
the day made dimmer...


ITS FIELDS
green wing of the hill...


TO HOME
the country you came from...


THE GREAT COLLECTION
seen in weak light riding...


IT'S SENTIMENTAL BUT TRUE, I LOVE THE SPRING
branches...


THOUGH I STARTED TO SAY THEIR
I should have said...


THEFT OF A LINE FROM BLY
cold morning but he hardly noticed...


4/20/05
white hands of the dogwood...


IF GOD IS LOVE
and love is a consuming force...


ONCE AND AGAIN
the statues are not statues...


THERE
in that place...


7/4/05
the sun behind my back lights...


AFTER COMPLAINING FOR DAYS OF THE HEAT
rain and cooler weather...


IT'S TOO HOT IN THE HOUSE
I'll sweat in the shade outside...


HISTORY
once we could hear each other...


JULY
the green trees...


untitled
after rising...

HE SITS DOWN


M the cripple feels his legs unhinge, and he has to sit
down. His existence, his very survival, is in flight,
but for the moment he must remain here. He sits as a
fugitive does, with a profounder quiet than other men, a
will to invisibility. M tries to desire his enforced
stillness, so that some slight anxiety does not betray
itself in gesture or posture. Against all instincts be-
longing to his situation, M the cripple nurtures a love
of motionlessness, and he attempts to acquire the mind
of an unwanted individual. He counts the number of
people wearing red, he notices the endless variety of
strides, he takes delight in observing those unconscious
of being observed. His attention to this mood, this way
of being, is occasionally broken by the thought of his
legs--Are they strong enough now? How can I not seem to
need help?--and by the realization that the people on the
street actually believe that they are not fugitives, that
they are free to do as they please, that no power opposes
them, that they have no need for caution or release from
fear, that they are only going to a destination that they
know and have chosen.