ACCOUNT OF MY DAYS

sequence #
1 2 3 4 5
6 7 8 9 10
11 12 13 14 15
16 17 18 19 20

  keyword(s) in poems:

Sequence: 20

untitled
you know who...


THE GREAT WORKS
Reading one of the Great Works that you find annoying, you ...


SILENCE/WORLD
the silence is never a silence...


FRIGHTENED BY MY BOOKS AGAIN
they have in them many words to read...


12/13/12
the squrrels' efforts...


THIS LIFE
less led than lost...


FIRST SNOW
one might imagine Adam...


12/26/12
the wind moves along...


NOTES TO BEGIN WITH
noon on new year's day...


AFTERTHOUGHT
silence...


UNDERSTANDING EACH OTHER
the word for food...


STILLED FOREVER
the body of a mouse...


A CYCLOPS EXPLAINS TO A STRANGER POLYPHEMUS' HOWLS
every so often one of us here goes crazy ...


CONTINUATION
even zero has a hard time with nothing...


REGISTERED
from some abandoned clock comes...


DRIVER
are you still driving...


ABOUT THE FAMOUS COUNTRY
the leaves cover it...


NOT YET
not yet ready to write you...


A THOUGHT
the alley floor is cracked...


2/23/13
last weeks of winter...


REPETITION
those who in their agony of loss...


WAYS HE TRAVELS
the hastening traveler panting along the ways...


PERHAPS POSSIBLE
watch ...


STORM FORECAST
moss light under trees...


REPITITION II
die of grief make another grief...


ONLY AT NIGHT
only at night can I really see...


I KNOW WHAT IT LOOKS LIKE
the trembling you see...


REPITITION III
make another grief...


THE READER
the pages I turn sketch...


WONDERFUL
at the doctor's office...


LANDSCAPE WITH TWO MEN
in dark clothes walking over the year's...


REPETITION IV
...


4/29/13
barely light...


EVEN SO
a picture of least importance...


SAYING MORE
cold air on my skin as it leaves me alert pleases...


NEWS
the shamed man...


5/26/13
a penny drops on the floor...


IT RIDDLES
it isn't memory...


STORY
limbs of the tree gone astray...


JUST TO BE CLEAR
nothing wants to know...


SEEING
rain-centered region...


COMPARE AND CONTRAST
there is never just one crow...


I STILL ACHE
the little things said...


THE DIFFERENCE
an off-white sky...


PLAYING AGAIN
a store of chords held in the fingers laid...


THE TOWN
the town with its mildly hilly north side...


TO YOU
if it often seems...


IN TIME
to arrive in time with some of what you've packed...


HIS INTENTION
He left, lying where I would be sure to see it, a little written...


1937
the Ohio in flood...


STONE SYMPATHY
this large rock in the abandoned field...


ANOTHER KIND OF WIND I REMEMBER
the whirlwinds that used to come...


DREAMS
That was childhood, when I believed anyone could fly if they ...


WHAT THEY BUILD AND WHERE
they build their cities on the plain...


A PARTICULAR HEAVEN
after the end...


BORDERLANDS
In some of the places where boundaries meet there can be a ...


WHAT IT KNOWS
an invisible warning...


WHAT IF YOU WERE THAT MAN IN THE MIRROR?
no thoughts or feelings within you...


IRONY WATER
the irony water I drank in youth...


MY LIFE DOES THE MATH
my life poorer by a day...

SIDE WALK


Between the streetlamps there are regions of dark.  You can't
see anything, your vision melts away to nothing.  I want to
help--I always want to help--and in the murk I get to be cau-
tious.  Caution is one of my strongest traits, I'm very good
at it, and here it is helpful.  "Curb coming," I say, or
"step up," or "the sidewalk is a little rough here."  I take
your elbow, I walk so close to you that our thighs brush and
we have to establish a mutual rhythm. My caution now spreads
out like the light from the streetlamps, and I worry what we
look like.  I am in a car on the street and I see two men
walking in an embrace. Do I turn my head not to see, do I
point the car at them, do I become excited?  I am almost en-
tirely caution now, and I have spread myself up and down the
street.  I am in all the houses, peeking out the windows
scandalized in each of my secretive living rooms.  I hold my
breath, dangerous to myself.  I want to help.  I want to help.