ACCOUNT OF MY DAYS

sequence #
1 2 3 4 5
6 7 8 9 10
11 12 13 14 15
16 17 18 19 20

  keyword(s) in poems:

Sequence: 3

BE DIGITAL
and believe what falls between your fingers...


DAYLIGHT FARM SUPPLY
wet lawns along the river...


ASKING FOR HELP
the one I want...


BYE BYE
to be commanded to sit down...


HEAVEN AND HELL
Understand me: I was the boy...


MY FACE IN THE MIRROR
what have you done...


MESSAGE
there is a line...


ALERT
televangelists and...


ANNOUNCEMENT
the modern boat is sinking!...


NO MISTAKES
understand me: I am the musician...


FINDING
my eyes if I should lose them...


LOVE POEM
sh! the poet is sleeping...


AFTER
the crowd without its beggar...


AGAINST IMMORTALITY
I don't want to live forever...


ADJUST
At last the flow of water has changed:...


PROTESTANT MEMORY
to keep myself from crying...


DOWNPOUR
the cats come in...


RELIGIOUS SCENE
on the wall of the steakhouse...


ON MY CARPET
he calls it his...


APPEAL
your honors...


SONG OF CONFESSION
my heart a poisoned well...


DRIVING
the black femur...


INTERSECTION
the corner of lost memory...


FIRST COLD DAY
in the back yard...


THEFT OF A LINE FROM SIMIC
dark night...


EXAMINATION
reading the heart's...


ABSURD
to say...


NEVER COMPLETE
bowing like a long-necked bird...


AS HE SHIFTS THEM
In the back pew of...


untitled
this poetry...


END OF THE EIGHTIES
the story takes...


12/31/91
outside in...


IN A CAR
we're in California...


MORNING INCIDENT
Getting up to let the cat in I felt myself growing weak,...


untitled
you wiped out...


4/3/92
a dream...


FAILING TO RECOGNIZE
even as it occurred...


ROCK PAINTING
the dance I did...


REFUSING TO UNDERSTAND
what comes from the dog's mouth...


NIGHTWORK
the secret government...


ODE TO THE FRIENDS OF POETRY
the friends of poetry...


LOCATION
rights and privileges...


SENSE OF AN ENDING
the last breath I...

THEFT OF LINES FROM ELIADE,
ANGLETON, STOKER, AND ROTHENBERG


Mother of Sleep
who asks us
who scratches questions
on our foreheads

Mother of Sleep
who waits all night if need be
who never tires
it is impossible to say
who or what we are

left to our own
left to the day's
deep devices
we find
the usual inevitables

now
like a road through hills
cuts into us
revealing layers of then

and in his house
of fifty steps
(his house that he gives to us
his steps he helps us take)

killer the golden
studies words
he learned from us
whispers words
he taught himself